History of the Faience manufacture of NIMY
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The faience manufacture of Nimy was established by Namurian, Dieudonne-Joseph Antoine who having solicited magistrates of Mons the authorization to create a faience manufacture there, signs a contract of association with François de Bousies, Viscount of Rouveroy and Bonaventure de Bousies, mayor of Mons.

 But the Royal Council of the government refuses the application and Antoine turns to the village of Nimy in order to install his manufacture near Hatred there and of his mills.
 Indeed, it was essential to find a driving force to actuate the grinding stones intended for the crushing of the raw materials of the faience manufacture. However the chapter of Holy Waudru having with Nimy several mills with flour and oil rented in Sieur Carlier. By a contract July 22, 1789, this last begins towards the Brothers Dung-beetle to obtain chapter that there should be rebuilt, other coast of the river, the mill with oil and this “so that a wheel and only one rotating shaft feroit to play the rope twister and the faience manufacture at the same time”. Moreover, it is agreed that a building doubles will be also built to shelter the equipment of manufacture.
 During this same year, Antoine addresses a request to the government in order to obtain the favors which usually manufactures enjoy which open in the Austrian Netherlands and a granting of Joseph It confers on the new faience manufacture the title of “Imperial and Royal Factory”, exempts it import duties for the tools and the raw materials as well as export duties and of tonlieu for all the products “realizing that the parts leaving the factory are marked initial letters of DieudonnéJoseph Antoine in Nimy”.
 

 Seven furnaces of the Faience manufacture

Transport of the parts towards the workshops.


The following year, the faience manufacture produces already a great number of usual objects and fourth associated is allowed in the company, the Baron Procope de Secus.
 During the years 1791 to 1796, the faience manufacture saw in a precarious way until an agreement of the associates gives the direction between the hands of Bonaventure Hyacinthe de Bousies.
 This one will be devoted to the development and the modernization of the company. It makes build new buildings, opens stores in Brussels, Lille and Maubeuge, diversifies the production and introduces polychromy into the decoration of the parts manufactured.
 Whereas only the cobalt blue had been used, it extends the range of the colors to the yellow, the English black, the green, the red. It imitates marbled employed in England and the jonquil of Douai.
 Result: manufacture is growing, the benefit increase and all the debts are refunded.
 The factory is increased and in 1806, it occupies 24 turners and mouleurs and 17 painters. New furnaces are built.
 In 1810, Joseph de Bousies dies and the direction will be ensured by his/her brother. At this time, manufacture employs 250 workmen and it takes part in many exposures in Ghent, Haarlem, Brussels. But the massive export of English earthenware will put the faience manufacture in danger.
 In 1833, this one occupies nothing any more but 30 to 40 workmen. The situation reaches soon such a gravity that Charles-Alexandre de Bousies, wire of the Viscount of Rouveroy plans to offer its manufacture to Eugen von Boch, who will prefer to choose the pottery of Vaast Saint in Louvière.
 In spite of multiple difficulties, the faience manufacture manages to maintain its activities until 1848. Associate then decide to entrust management of it to François Declercq, who had a porcelain factory has Baudour.
 Finally, the faience manufacture is sold in 1849 to Jean-Pierre Mouzin, director of the Keramis faience manufacture in Saint Vaast, Theophilus Lecat main potter and other shareholders for the sum of 60.000 francs.
 A company into active is created under the corporate name “Declercq and company” but it is dissolved in January 1851 and it is the company " Mouzin-Lecat and Co” which will manage the establishment henceforth. This one knows a renewal of prosperity consequently.
 

 Personnel of the Faience manufacture

 Visit of King Albert 1st


Modern material makes it possible to compete with competition and the company repurchases in 1858 the faience manufacture of Onnaing in France and creates in 1878 the manufacture of Wasmuel.
 In 1897, the factory employs 675 workmen and occupies a surface of more than five hectares. The following year, the company into active becomes a limited company. Its activity starts to decrease.
 In 1914, it does not count any more that 410 workmen and the war accentuates his bad situation because most of the workmen are off-set in Germany.
 In 1921. the establishment is yielded to the ceramic Company of Maëstricht and the second world war, the closing of many foreign markets, will carry a fatal blow to him.
 It ceases any activity in 1950 and the buildings are demolished 4 years later.
 During all the duration of its activities, the establishment employed workmen whose majority belonged to old families of faience manufacturers bus has Nimy, one was it of wire father. The faience manufacture occupied many boys and girls of 14 A 17 years that one formed with the trade and that one paid besides rather little. Fine earthenware realizes has Nimy is different from English ballasting by the chalk amount which uses its composition. The generally lead-containing glaze is characterized by its smoothness and its transparency from the stanniferous cover which masks the coloured grounds used by French earthenware.
 Moreover, one continued has Nimy, with the example of the manufacture of Boch, to introduce into the paste a calcining (mixture of sand and soda having undergone a beginning of fusion to be vitrified) intended to make it more solid and whiter than ordinary earthenware.
 In addition to the articles of household, the faience manufacture manufactured torches decorated with figures, groups out of cookie “Belgium and Champêtre”, pipes with heads of women and old men, vases, stoups, dials of clock.
 11 had there in the production, of the round and oval dishes way money, on corrugated or plain board, of the salad bowls of ordinary or twisted form of the style in vogue during 18th and 19th century: Rubble and Neo-classic. The blue camaieu Decorations were sober and generally borrowed from other famous establishments, in particular that of Septfontaines but the faience manufacture also created original reasons of which most known is certainly a formed floweret at large points, represented only “with the forget-me-not” derived from the barbel from Separate or in bouquet “with the flower of Heather”. The representation of the characters played only one role limited even if one tested a decoration where Chinese with the large hat and the deployed parasol moves on a flowered terrace.
 

Visit of Prince Léopold in 1927

Sight of the Faience manufacture of NIMY